Mehr als ein Carr-iereratgeber

Das hätte ich auch nicht gedacht: dass ich mal freiwillig ein self-help book aufschlagen würde. Aber wenn es von Jimmy Carr kommt, dessen Treiben ich seit über 20 Jahren verfolge (in Amsterdam habe ich ihn sogar live gesehen) und dessen Humor-Abhandlung "Only Joking" (2006, mit Lucy Greeves) bei mir im Bücherregal steht, dann muss ich es lesen. Zufällig wartete es im Bereich "Fremdsprachige Literatur" der Frankfurter Zentralbibliothek darauf, von mir mitgenommen zu werden.

Es liest sich bei aller (überraschenden) Aufrichtigkeit und Feinfühligkeit wirklich launig, zumal der Autor nicht darauf verzichtet, Biographisches (inkl. seinen Ärger mit dem Finanzamt) einzuflechten und mit erhellenden Einsichten in die britische Comedy-Szene unterhält (u.a. gibt es einen ganzen Abschnitt über das Edinburgh Fringe). Und ich konnte so einiges für mich persönlich "mitnehmen". Hier sind ein paar Worte übers Scheitern, das Lernen aus Fehlern und die Power des Ausprobierens:

Be bad. Be gloriously and ridiculously bad. Stink up the place.

Have the courage and the conviction of your suckiness. Failure is incredibly freeing, unless you're an escapologist.

Being wrong reminds you that nobody, and I mean nobody, is wholly right. I mean, even David Bowie was in Tin Machine. Getting stuff wrong, and acknowledging that, frees you from being defensive. And being defensive is the quickest way to shut down creativity.

Being wrong is hard – I mean being totally wrong, 100 per cent wrong. It's hard to get stuff perfect and it's hard to fuck up perfectly. But it's pretty easy to get stuff half right. And when you have something half right, then you have a draft, you've filled the blank page. You've got something to work on. Getting it wrong is how you'll defeat procrastination.

... über Kreativität und wie der Begriff heutzutage missverstanden, verwässert und verengt wird:

When we talk about creatives, we have a tendency to think about musicians or artists, we think about people who produce something called 'art' as if it should be reserved for museums and galleries, and only practised by a very few, special people. We put creativity over there and everything else is 'serious business'. Seriously? Fuck that. So dumb. So elitist.
I say this because, before Shell, I worked in advertising. [...] I worked alongside 'the creatives' who did creative stuff: copywriters and graphic designers. It's the dumbest thing. In a company of 200 people, thirty of them were labelled 'creative', as if the rest of us shouldn't even think about doing anything imaginative. We had been put in our place: 'Don't you lot go about having ideas. We've got ideas covered.'
Creativity is not a special thing in a special box in a special room. It's crazy thinking because any business does better if it's open to creativity. Any work can be creative. Architects are creative, as are gardeners, chefs, strippers, cab drivers, nurses, accountants (accountants can be incredibly creative, let me tell you). It's not about what you do, it's how you do it, that's what makes your job creative. [...]
Sometimes the word 'creative' is a problem. If the term is too hippyish for you there are other words available: try 'productive' or 'inventive'.

Und das hier könnte 1:1 von mir stammen:

[...] anxiety is a constant hum in my life.
I look at it this way: yes, I have the lows of anxiety, but I also have the highs of creativity.
Anxiety is the flip side of creativity it's a gift. A gut-wrenching, pain-in-the-arse, nightmare gift. But it's the thought that counts. If you're suffering with anxiety, great news: you're a creative person.
The downside to a creative mind is that it's always on. Anxiety: it's your creativity with nothing to do. Give your creative mind something to do or it'll drive you crazy.
When I'm feeling anxious, I try and refocus my anxiety on something positive, I try to give my mind something to do other than worry. Start simple. Do anagrams, solve a puzzle, anything that gets your mind going.

Das Buch ist auch deshalb so gut konsumierbar, weil es in kurze, knackige Kapitel und Unterkapitel gegliedert ist, denen zudem geistreiche, aufschreibenswerte, meist witzige Zitate vorangestellt sind.